Knitted Knockers
30 Jul 2019 9:03 AM (5 years ago)

These are Knitted Knockers. They are breast prostheses that are given free to women who have had mastectomies, and who request them. I have no actual experience with that side of the equation, but there are quite a few seeming advantages to these over some other non-implant options. Here's what they say on their website:
Knitted Knockers are special handmade breast prostheses for women who have undergone mastectomies or other procedures to the breast. Traditional breast prosthetics are usually expensive, heavy, sweaty and uncomfortable. They typically require special bras or camisoles with pockets and can’t be worn for weeks after surgery. Knitted Knockers on the other hand are soft, comfortable, beautiful and when placed in a regular bra they take the shape and feel of a real breast. Our special volunteer knitters provide these FREE to those requesting them. KnittedKnockers.org
This has been a departure for me, but I've been knitting prayer shawls for quite a while, and I have to say, I'm a little tired of them. A friend told me about these. Her mother asked her to knit some for her, and she's been doing them since. They're a fun project, quick, and interesting knitting, yet not requiring total attention. A really good travel or television project. You can choose which size to make from their pattern.
I am using Paton's Grace, one of the approved yarns. They have a long list of yarns that have been tested to remain soft after washing, etc. I've had no problem finding it at Michael's.
You can see that mine are not stuffed yet. I will send them in for distribution without stuffing them, as it's easier to mail them flat, and they are adjustable with a drawstring at the center hole on the back, and the recipient can personalize them with the amount and type of stuffing, including adding weight if desired.
Here's what I've done so far.
I'm sure most of you have just as much stuff as I do related to our love of needlework of various kinds, and this will be a familiar tale.
This summer I suddenly decided I needed to make another little knitted cardigan/jacket, and I wanted to use a TNT pattern (Tried and True) that I've made several times before, but it's been probably 10 years since I used this pattern. And so, the pattern hunt began.
This is a photo from 2010 and the only one I can find right now, but you can see why it's just a nice, handy, boxy little cardigan that takes very little yarn. I'm pretty sure I've made this pattern with a collar as well. It was a ribbon-y yarn mixture with pink and brown and gold, maybe. Hmmm, I 'll have to look for that one.
I looked hard for a while, then finally decided that it would show up eventually. It wasn't really an emergency anyway. Well, today was the day. I was putting away the few Halloween decorations I have, and found a pile of knitting magazines I had overlooked. At the bottom was a very large 3-ring binder with notes and patterns. I hardly dared hope it would be there, but TaDa! There it was. Now I need to find the years I thought I had in mind.
I've really been in a knitting, sewing, making, singing mood lately, and it's great. I hope it lasts. I think it's the singing that's doing it.


This recipe was requested, and I'm happy to share. It's a really easy, delicious treat. I've made Toffee Spoons several times, but it's been a while. I guess I should do it again this year. It's fun to get demitasse spoons and dip them in the toffee, then decorate or dip again in chocolate. I tie small cellophane candy bags over the bowls of the spoons with festive twist ties, and they're nice gifts. I have been surprised how often I get the spoons back. I think people are hoping I'll make them again.
Buttery Almond Toffee
(Recipe from my friend, Beth K D)
1 cup chopped whole natural almonds (or pecans)
2 TBS unsalted butter
1 cup unsalted butter
2 cups sugar
¼ cup water
¼ cup light corn syrup
½ tsp. salt
1 tsp. vanilla extract
Parchment paper
1 (12 oz) package semisweet chocolate morsels
Toast the Almonds: Preheat oven to 350 degrees. Combine almonds and 2 Tbs. butter on a jelly-roll pan. Bake at 350 degrees for 8 minutes, stir and bake 2 more minutes. (Try a little less time than called for if using pecans). Drain on paper towels.
Make the Toffee:
Place 1 cup butter in a large microwave-safe bowl. Cover with plastic wrap and
microwave at HIGH for 1 minute. Add sugar, ¼ cup water, corn syrup, and salt. Cover;
microwave at HIGH for 3 minutes. (This step washes down sugar crystals from sides
of pan.) Uncover, stir gently, and microwave at HIGH for 10 minutes or until golden
brown.
Using oven mitts, remove bowl from microwave, stir in vanilla. Pour candy mixture,
without scraping sides of pan, onto a greased baking sheet lined with parchment
paper, quickly spreading candy to ¼ inch thickness.
Sprinkle chocolate morsels over toffee; let stand 1 minute or until chocolate begins to
melt. Spread chocolate evenly over candy; sprinkle with almonds, pressing gently
with fingertips. Cool completely. Chill 1 hour or until firm. Break toffee into pieces. Store in
an airtight container.
(Note: I added most of my nuts into the toffee mixture except some really fine ones for
sprinkling on top. I also melted my chips in the microwave so I didn’t have to wait to
spread).
My own, personal notes:
(½ Recipe makes about 70 Demitasse Spoons)
Xmas 2013 as per recipe instructions.
Xmas 2014 half recipe. Half as dipped toffee spoons using demitasse spoons. Added 1/2Tbsp oil to 1 Cup chocolate chips for dipping. Chopped nuts very fine and dipped after chocolate. Half as per recipe instructions. Will use dipping chocolate/almond bark next time. Otherwise it never wants to harden, and is a mess.

I thought this was just interesting. To me, if no one else, anyway. I have always liked mending, to some extent. It's nice to be able to keep something going if I really like it, rather than throwing it away for a small problem
The photo above is my OLD gym bag, which was a give-away from the World Wildlife Fund, probably about 8 or 9 years ago. It has held together remarkably well. I have mended it several times, but mainly it was the straps that would come loose. I've reattached them several times. I think I re-sewed the seams at some time or other, but only because there was a small opening in one, and I thought I might as well just reinforce them all while I was at it.
As you can see, the laminated layer finally was de-laminating, and I didn't know what to do about that. I love the size and shape of the bag though, and the fact that it has almost no weight by itself.
The bottom photo is my new gym bag, which is a give-away from the World Wildlife Fund. Luckily, they were still offering these as a premium, so I got a nice blue one. Still turtles, but I miss the seahorses.
Though it doesn't look like it, they are the same 'fabric'. The old one almost looks quilted at this point, but it's just the structure of the fabric and the way that it's gotten old and worn. I'm assuming the new one will do the same in a few years. It didn't start de-laminating until the last few months, so I have high hopes for another decade or so from this one.

Nebraska Bishop Method of Clothing Construction
and
Kearney Area Sewing Guild
present:
NBMCC & KASG SEWING EXPO 2018
I promised you the flyer when I got it, so here it is.
This expo is coming up very soon, so get your reservations in if you are able to attend.
I would LOVE to see you there!
If you're having trouble reading it, it's as big as I could make it.
Make your check payable to NBMCC and send to:
Maureen Childears
12825 E. Kilmar Valley Road
Stapleton, NE 69163-9626
Photo Day
16 Aug 2018 3:02 PM (6 years ago)

As some of you know, I'm going to be the Presenter at the Kearney, Nebraska Sewing Expo September 21 and 22, 2018. It's put on each year by the Bishop Method Clothing Group of Nebraska, and the Kearney-Area ASG chapter. It's always a wonderful weekend, and I'm so excited to have been asked to present this year! Their flyer will be out this month, and I will put it here in case anyone is interested who hasn't gotten it before.
So as you can imagine, I'm madly getting ready for my classes. I've been working on this for quite some time, and it's getting down to the wire.
One of the things I will be doing is a Trunk Show with many items from my wardrobe. It will be mainly Marfy pattern garments, since that's what I sew most, and like best, but of course, there are others too. When you come across something great, you have to go for it. There will be 4 classes altogether including
Wardrobe Planning & Perfect Proportions
Marfy + Trunk Show
Project Planning for Sewing Success
Saran Wrap Fitting Techniques
I am so lucky to have a sister who's a whiz with a camera. She came over today and we took quite a few long-delayed photos of my projects. Here are a few teasers.
This is Marfy dress 2330 and jacket 3828. The fabric is from Barcelona, Spain when I shopped with the legendary Paco Peralta and Cristina.

Marfy caftan 3924 in silk charmeuse with lace motifs at the neckline. This was made to wear at a destination wedding in Cozumel.

Vogue dress 1250 in a woven cotton print. The dress is designed for knits only, but it worked out well with a side zipper and a sightly larger size. I also added the double collar with applique. This was made to attend a summer wedding, and it's one of my favorite summer dresses.

FSG Tunic 1960, Marfy Tank 9829, Marfy pants 0913. The tank and tunic are in a semi-sheer knit, so two layers give opacity. The pants are in a pleather-type fabric from one of my New York garment district shopping trips.

I've been trying to get to this show for a while now, and I actually paid and made it to the gallery at Joslyn Art Museum in Omaha about a month ago, but they were having trouble with their alarm system, and there were strobe lights all over the museum flashing rapidly. It was instant headache time, so we left, and I made it back today alone. I'm so glad I didn't miss this. What a wonderful exhibit!
Sheila Hicks is a native of Hastings, Nebraska. Here's what Joslyn has as her bio:
Hicks was born in Hastings, Nebraska, in 1934 and trained as a painter
at the Yale University School of Art, taking courses with famed color
theorist Josef Albers, pre-Columbian art scholar George Kubler,
and the architect Louis Kahn. Although she had learned to embroider and
knit early
in life, Hicks became interested in textiles in 1956 while studying
Latin American art. The following year, she traveled to South America, a
formative experience for the young artist. With Santiago, Chile, as her
home base, Hicks toured the continent to photograph the landscape and
historical sites and learn indigenous weaving techniques. These textile
practices, along
with other skills the artist discovered during her extensive travels —
such as back-strap weaving and Moroccan and Guatemalan rug-making —
continue to inform Hicks’s approach, even as she has developed new ways
to use thread.
I really love almost all of what they showed, although I found it interesting that the first smaller room of the exhibition gallery, that you could see some of without a ticket, was the least interesting, at least to me. Her colors and use of varied textiles and threads is really inspiring.
I find myself eager to try to make art rather than just garments. We shall see how that goes. I purchased the exhibition catalog, Sheila Hicks: Material Voices to inspire me as time goes on.

As we all know,
Gorgeous Fabrics does live up to their name. Ann chooses the most beautiful things for us to try to resist. This is a pique knit print I ordered before Christmas but had planned to use it for spring.
Last week gave us some horrendously cold weather which is still with us, and I decided last night to begin a dress out of this cheery fabric, just to warm up a little. Dresses seem to be what I want to wear lately, and I don't really have many winter dresses, and this is not one either, so obviously my planning is not the best.
I've been wanting to try
Style Arc's Issy Top as a dress since my top turned out pretty well. (Apparently I did not blog about that top, although I like it a lot.) I got this pattern as a free pattern-of-the-month from StyleArc with the purchase of the Zoe Pencil Skirt. I have to say, the skirt pattern was not a winner for me. I made it up in a nice wool, lined it, had high hopes for the interesting side seams, and it was really nothing spectacular. However, the Issy Top has been great fun, so I feel like it turned out well either way.
As you can see in the line drawing, it's an asymmetric top with gathers on both side seams, and an unusual draped neckline that looks like it might be loose, but is firmly attached and stays put in this shape.

My dress is basically the top with 18" added to the length, and I just extended the side seam lines at the original angles. I ended up doing one more gathered area toward the hem on the right side.

Generally, I'd have to say I like this, but I think it might be better in a plain fabric, so the ruching would show a little better, and perhaps read as "cool ruching" rather than what I am afraid may be its message, "wrinkly wrinkles". The fashion-savvy will know the difference obviously, but the rest of the population may be flummoxed.
I think this is cute though, and I will probably wear it first for an early "Spring" luncheon in March. Hope it's not snowing and sleeting then!
This Hawaiian shirt is for an 18-month old.
It's Burda magazine #136 from March, 2007. What a great source for
children's patterns. I never throw those magazines away, and eventually
you realize you have a fairly classic pattern for most children's
garments, and quite a few adults as well.
I heard that Nikki was having trouble finding a Hawaiian print shirt for Carmine's Halloween costume (he's going to be Ace Ventura, Pet Detective) and I volunteered to assist. Then I had to find fabric.
I realized that most Hawaiian prints are very large-scale, and would overwhelm a small boy. Luckily, we have a great source for prints of all types here.
The Cosmic Cow. It's a quilting shop, but a really great one. I was pleased to find just what I wanted.
This is a photo of the pattern schematic and beginning of the instructions, in case you don't know what Burda patterns are like.
I've made a lot of shirts, but never one this tiny, and it was fun.
Ruffles are not my style, but flounces are not ruffles, and asymmetric designs are always fun.
This Marfy pattern (#3744) appealed to me immediately when I received
the catalog, and just FYI, there's a floor-length version that's
beautiful and would make a great prom or evening gown. It's a separate
pattern, which I can understand, since all of those flounces are
redrafted to attach to a longer main skirt. This keeps the proportions
correct.
It was somewhat challenging to alter since
the bodice is not symmetric, and it also has no 'regular' darts. So I
used a combination of a princess FBA and using my saran wrap block to
make sure I had made the changes I needed. I think it turned out pretty
well, and actually, this was my 'muslin', though I had hopes that it
would be very wearable. I think it is.
I used a
lightweight matte jersey I got from Kashi at
Metro Textiles in New
York.
I left all the edges raw. In snoop shopping in NY and Chicago recently, and online of course, I am
seeing a lot of this, and if they can do it, so can I. The trickiest part was making the hook and eye at the top of the zipper look neat on the outside since there was no facing to sew it to. I think this works well. It's visible, obviously, but not messy looking. It's stitched through the top of the zipper tape for stability, and to control the zipper tape as well.

This latest iteration of Marfy 1128 turned out really well, I think. This is the finished look. It's hard to catch the sparklieness of the actual dress without having it be almost impossible to actually see. I got to wear it this past weekend to a fundraising dinner, and I felt very appropriately dressed.
The hem is my favorite part. I love the way it drapes and catches itself up, especially in the back. I changed the back neckline from a very low square back to a higher scoop, which is still fairly low.
I have quite a few inner construction photos for this. The blog photos are smaller than those you can see if you
click here. As I think I said previously, I underlined this with a fairly heavy satin lining, almost something you would use for a coat lining. I turned the satin side toward the body, and extended it about 5" longer than the dress hem edge.
You can see how I turned the hem up to the outside on the finished garment photos, but here is the inside of the hem, which comes out very nicely since all the raw edges are inside the rolled part on the outside of the dress.
The original pattern has front horizontal and vertical darts, and gathering at the neckline under a chiffon collar. I stitched the horizontal darts, but used the other ease to drape from the waist up to the neckline. You can see close ups of the neckline and waist draping here.
The facing you can see on the neckline is a folded bias strip of the lining fabric. The neckline stands out in places, as it is supposed to, and the bias band helps it to stay close to the body in any case.
These two photos show the inside front of the body of the dress with the stitched waist tucks.
In the close up you can also see the stitching which tacks the bow in place.
This is the slight flange edge of the sleeve, almost just a facing which peeks out. It's widest at the top, narrowing to nothing at the side seam.
You can see inside that it is also a bias strip, but of the fashion fabric.
Finally, you can see that the extra-long invisible zipper opens the entire length of the side seam. I really have learned that this is not too long a zipper for a dress like this. It makes it so much easier to put on, and without spoiling one's hair or makeup.
Pins!
7 Oct 2015 6:54 AM (9 years ago)

It may seem a little weird to get very excited about straight pins, but we sewers know that there are pins, and then there are pins. My favorite used to be Iris Pins, but the last batch I bought simply weren't as good as they used to be, and this seems to be the consensus. So I've tried various brands and types. Clover Quilting Pins aren't bad, but I knew I hadn't tried everything out there.
When I was in Portland last April with the Fiberly Group, we went to
Josephine's Dry Goods, a lovely store. She had Insect Pins in Size 2, which I like so far. I wanted to try some more, and decided to see what other brands and types were available.
I ended up purchasing
Size 000 pins, to see just how much difference there was in sizes. These are much finer than the Size 2, and bend more easily, although not as easily as you might guess, given how fine they are. I like the little gold ball heads on the black pins, and have been happy to use these.
The photo above is of various sewing pins in my collection, and the 2 insect pins. They are the black ones, and the smaller one on the right is the Size 000. The pin on the far right is your average every day pin.
I'm excited about this dress. It's been awhile since sewing has been this much fun, and I'm enjoying it. I'm going to a Friends of Opera Gala fundraiser this Sunday, and I thought I wanted something new to wear.
I'm using a TNT pattern, Marfy 1128. It's a fairly basic sheath dress, but with the gathered neckline under the chiffon collar, it give you a lot of leeway to manipulate the neckline if you don't want the collar.
One thing I have learned with this pattern is to use a much longer zipper than I originally thought necessary. This makes it so much easier to get into. I bought a bag of invisible zippers last time I was in LA with Kathi Rank shopping the Fashion District, and so I happened to have a 34" invisible zipper in an acceptable color (dark green), which goes in the left side seam from the armscye to the hem. I probably would not have purchased this long a zipper on purpose for this, but it's great, actually. Apparently the longer, the better.
I found the fabric at Hancock, and it really spoke to me. It's a very thin, non-wonderful brocade, but I love the colors and the look. This actually shows the wrong side while it's being cut out.
I'm underlining with a thicker satin lining fabric. Originally I thought I would do something along the lines of a car-wash skirt, as they are so current, and finally wearable now that they're not being shown only with absolutely nothing underneath them. However, I like what I have come up with even better. I extended the underlining about 5" below the brocade and then turned it to the outside and asymmetrically attached it. Here's a photo of it on the dressform with the hem pinned. I am pinning a draped effect from the left waist to the right shoulder and I think the bow will be staying, but you never know.

Finally, the
pièce de résistance. I've been told for years that Mendel Goldberg was a magical place if you are in love with fabric, and Rosie took me to see it. Well, you all were right! We were lucky enough to be there when almost all of the new fabrics had come in, so we saw the stock at its most complete condition. Wow, just wow!
Every designer you can think of was represented, especially every couture designer. Of course there were things that I liked more than others, but the quality overall was exquisite. Rosie took lots of photos, and I will share with you.
As you might have guessed, the first two photos are of the fabric that arrived on my doorstep. I am so thrilled with them, and although there was choice enough to find fabrics for 20 different beautiful suit combinations, this one leapt to my eye. The 'plain' fabric with the border texture is to be a skirt. The border is pieces of fabric and yarns attached to the base fabric, and as the photo suggests, that border will be a few inches above the hem edge of a straight skirt. Totally frivolous, yet somewhat restrained and severe. Just my kind of thing. The fabric to the left is for the jacket, and it's so much more beautiful in person I can't tell you. The yarns it's woven with are gorgeous and of such a quality that you would think they were high-end hand knitting yarns. There's a lot of gold in it and the selvedges are beautiful, and will be used as trim here and there.


Now, on to the other fabrics we saw and 'snapped'.

Do you wish you'd been with us yet?
I love it when boxes are delivered, especially when there is wonderful fabric inside. As you might guess, more of the fabric I purchased in New York arrived here today. I am going to show you what I bought at Metro Textiles. It's a great shop that you should plan to visit if you get to New York's Garment District to shop. This was my second visit in the last 3 years, so I feel very lucky.
Normally I think of knits when I think of Kashi. It's not that he has only knits, or that he even has mostly knits, it's just that he always has very nice knits at good prices, and he usually has lots of colors. If you follow me at all, you know that I like "off" colors the best usually, and they're often difficult to find. When there is a limited selection of knits, they generally stick to fairly standard colors, and that's fine, but I tend to look for the ones that look like they might have been mis-dyed or something, and I have had good luck finding those here.
I got 4 knits. Counter-clockwise from the top left, they are 1. a Grey-green and 2. a Grey-brown, which go beautifully together, 3. a Chocolate brown, and 4. a Burgundy laminated with pink and orange. It's not quite as wild as it looks, but it is unusual.

I also got a pair of fabrics that I normally would not really consider. I like this kind of thing, but it's a little more contrast than I usually go for, but it just called my name, and whispered ladylike suit-type outfit. the first half of the duo is a Rust and Creamy White Brocade-type weave with a beautiful weight and texture to it. (I think if you click on the picture, you'll get a larger image that will allow you to see the texture better.)
At this time, my plan is that it will be a jacket, and the Rust heavy stretch woven satin behind it will be a skirt. Things could change, but I'm really kind of pleased with this idea so far. I suppose I could always do a dress, and in fact, I have an idea that this would be really good for, so you never know. I love the colors, though.
Elliott Berman Textiles has long been a favorite on-line fabric source for me. I knew that I had to go there in person when I next was in New York, so we went. One interesting thing about having Rosie for my guide is that I found out that every fabric person in New York City knows and loves Rosie. It's quite amazing to be with someone who is so well-liked and who obviously knows all of these people well on a personal level. It was no different at Elliott Berman's, and I have to crow a little bit about the fact that Eugenia actually recognized me (or at least my name) when I met her. She said I was just about their first on-line purchaser when they began a website operation. I feel very special! I have bought a LOT on-line from them over several years, including the cashmere for the coat I made in 2008/09, and the Evening Coat I made in a gold and coral houndstooth, and it has all been top quality.

If you have not been to their website, then GO! Right now, and drool over the wonderful, top quality fabrics that are simply unobtainable elsewhere, at least for most of us. They are also on
Facebook,
Twitter and
Pinterest, so follow for special deals and just good info.
I found that the wealth of fabrics on their website is only a very small fraction of what they have available in their warehouse area. We got a lovely tour from Eugenia, and then she left us to browse on our own and take photos and even a swatch or two. I didn't purchase anything that day, but I took some photos that I may turn into actual fabric. Here's what I saved to drool over.

I had the BEST guide for my fabric shopping that anyone could ask for. Rosie Lynshue, who will be joining us on the Fiberly Trip this year (we're going to Portland!!) kindly offered to show me around. It's been several years since I was in the Garment District, and then I had the fabulous
Barbara Bell to show me where to go, but this time I was on my own with hazy memories of where things were, a list, and Google Maps.
If you've never been, it's not as easy as you'd think. Some of the places are on the street, but quite a few are above street level, even unto the 9th floor, and there's not a lot of signage telling you where to go and how to get there. When you do arrive, they are so very gracious and kind, and of course they have the fabulous things we all want. My only complaint is that I cannot just pop back in whenever I'm looking for just that particular thing that I want and cannot find anywhere near here, but they have it right there. Oh well, that's my problem, not theirs.
Rosie and I began with breakfast and moved quickly to
Metro Textiles and Kashi (fabric still en route, so I will report later.) He always has great fabrics at great prices, and this was no exception. I was especially looking for knits from him.
I particularly wanted to get some swimsuit fabric and foldover elastic as well as looking at zippers and O-rings.
Spandex House , interior shown on the left, was the place for swimsuit fabric, and I got the 4 pieces that you see above. A yard will make at least a couple of one-piece suits, and I got about 3 yards of the chain print since I think it will make a fun top as well as a swimsuit. You can see it in the photos below, as well as the foldover elastic I chose, and the O-rings. Both of those items came from Daytona Trimming.
Lastly, a couple of so very sweet treats from Rosie to welcome me to New
York. Totally unexpected and as I was to come to understand, so very
much her style. Thanks Rosie, for everything!

As you probably know, I was in New York City for the last week. Ostensibly to see some operas, which I did, (top photo is the curtain call from La Donna del Lago at The Met) with
Joyce DiDonato and
Juan Diego Flórez.
To the left is their glorious proscenium arch and the rows of balconies and boxes taken before Don Giovanni began.
I was lucky enough to see a probably once-in-a-lifetime Carmen (yes, it was really that good) with
Elīna Garanča (Carmen),
Roberto Alagna (Don Jose) and
Gábor Bretz (Escamillo).

Even the view from my hotel room window was pretty nice. Definitely way above brick-wall status, and I have to say I had a wonderful trip all in all.
While I was there I saw not only the 3 operas referenced above, but 2 musicals and a play on Broadway. Kinky Boots, Chicago, and It's Only A Play. They were all really good, and I'm glad I got the chance to see so many productions. Originally I was to leave Sunday, but my flight was cancelled because of weather, and so I had Sunday to see It's Only A Play.
I did some shopping besides fabric shopping, although I didn't do much buying other than fabric, etc. There will be a couple posts on fabric, and most of it is still en route to me since I had it shipped. Saves weight in your luggage.

Gardening Warrior Basket
This is a gift basket for a man who is an enthusiastic gardener. He also has a never ending battle over that garden with rabbits. It's going to accompany a gift card, and I had a lot of ideas for something cute and kind of funny, so I was elected. I thought it turned out so cute that I had share. I hope you think it's cute too.
It includes:
Garden-themed Potholder
Carrot-shaped Candy Bags
Potting Soil
Rabbit-shaped Candy Peeps
Rabbit Voodoo Doll
and....
Ammo, in case Voodoo doesn't work.