In questo strano periodo di intelligenza artificiale e accelerazione computazionale, guerre dei microchip e poteri delle piattaforme, le opere presentate in questa esposizione gettano uno sguardo sospetto al progresso tecnologico.
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The exhibition will include a total of 28 paintings by the artist, presenting both recent works and examples from the early stages of Venet’s career. The central axis of this exhibition is mathematics, which, in Venet’s words, encompasses “the greatest abstraction ever created.”
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The Institute of Arts and Society at the University of Applied Arts Vienna invites applicants for “Cross-Disciplinary Strategies. Applied Studies in Art, Science, Philosophy, and Global Challenges” (CDS).
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The research project differentiates from other contemporary practices of adaptive reuse, driven by historical preservation, environmentalist, or sentimental reasons. It looks at the contexts, where reuse emerges from urgency—whether due to scarcity of materials, political turmoil, or climate crises.
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Rather than viewing collapse as mere destruction, the exhibition embraces it as a generative force. It considers collapse as a moment of new beginnings, where brokenness is understood as a condition to embody and negotiate, rejecting the neoliberal logic of repair.
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“Voices”is a landscape in which remoteness is compressed, events are co-generated, interfaces disappear, humans and non-humans connect through new languages and the whole evolves and transforms relentlessly throughout time.
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Cory Doctorow's creative "anger" manifests itself in the ruthless and acute analyzes of his journalistic work, while his science fiction stories and novels - in the best tradition of the genre - warn us of possible dark future scenarios, and his activism concretizes his action in dissemination and awareness-raising activities, also in his blog, which he updates constantly.
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The Galeria Municipal do Porto proposes to mediate informal meetings between audiences by consolidating a series of events developed in collaboration with artists and curators in the context of the exhibitions. With a new structure based on three types of free public initiatives – Visits, Talks and Performances –, the programmes are inspired by the specificities and potential of each exhibition, and may also include concerts, films and other activities.
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The six artists Veneta Androva, Raphaël Bastide, Bruno Gola, Kathrin Hunze, Yehwan Song, and Shinji Toya were invited to test upcycling as a speculative method for the reutilization of old data.
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Rarely do we happen to hear the stories of people who were close to prominence but didn’t make it through. The “hip” decade in the life of Gene Estribou offers a story of the claim to fame for “almost” producing The Grateful Dead debut album (1966) and the invention of Alphaphone (1970). The latter could […]
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Drawing from the diploma theses of the Berlin graduates, archived at the TU Berlin Architecture Museum, Dipl.-Ing. Arsitek: An Indonesian-German Architectural History provides insight into this little-known aspect of German-Indonesian relations, for the first time in Germany.
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North Star brings together a selection of work that includes large-scale watercolor and ink paintings, a site-specific mural, a film, and a new sculpture and video installation. Together these works invite us to imagine the new relationships we might chart between our bodies, the self, the planet, and the universe once deeply entrenched forces are destabilized and replaced by boundless possibility.
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The first programme of its kind in the UK, the Cinematic and Videogame Architecture MArch course teaches students to employ innovative architectural design methods using cinematic, animation and gaming technologies.
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About The Biofeedback Art-Research-Practice Network, led by Anastasia Chernysheva and supported by Gray Area, is an international community of artists, scientists, and researchers exploring the intersection of biological data and artistic expression. Our goal is to integrate cutting-edge biofeedback technology in artistic practices to push the boundaries of conventional art-making and to challenge […]
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Sustainability is a central theme of our time and at the same time one of the greatest challenges of our future. With and through art and culture, the currently most important questions can be asked, visualized and negotiated. Not only scientists, but also numerous artists and designers are increasingly focusing on the transformational potential of their work with regard to sustainable future strategies.
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